Directed by James Ponsoldt.
This book has got a lot of hype thanks to the movie version, which came out on DVD last week. Before saying anything about the film, however, I’m going to first tackle the novel.
I enjoyed reading The Spectacular Now. Party boy Sutter Keely offers some of the most interesting and believable narration I’ve read from a first-person teen novel in a while. The book starts with Sutter’s girlfriend, Cassidy, breaking up with him, to which his response is a new goal to win her back. Somewhere along the way, however, he crosses paths with Aimee, a sweet but naive and (let’s admit it) somewhat dorky classmate. Pretty soon it’s as if they’re dating, and after a while it’s official.
Before I go further into plot, I need to explain a thing or two about Sutter. He drinks – a lot. And then he goes driving. Often he drinks while driving. He’s also clearly hung up on Cassidy for a good half of the book, a crush that overlaps well into his relationship with Aimee. While it can’t be said that Sutter treats her badly, his opinion of Aimee is rarely romantic. He leads her on quite a bit, and for a time it seems as though he’s only dating her out of pity.
Yet here’s the thing: on top of all this, Sutter comes out likeable. I would never want my [nonexistent] daughter to hang out with him, but yeah, the boy’s got charisma. That said, a lot of people will disagree with me. My friend Annie wrote the following:
This is like the modern Catcher in the Rye, which, from me, is not a compliment. Sutter and Holden share the same unlikeableness, arrogance, and ultimate stagnancy that was pretty horrifying to read.
The arc of this book was frustrating. For a book of this caliber (not top) and because of the hype and the forthcoming movie adaptation, I was assuming…that there would be closure of some sort at the end. There wasn’t. I was frustrated. I only kept reading because I thought some comeuppance was coming to Sutter, but it didn’t (not really, not satisfactorily).
Knopf Books for Young Readers, 2008, 294 (hardcover)
Strangely, it seems the very things some people don’t like about The Spectacular Now are what I loved about it. While it’s easy to think him an idiot for driving drunk most of the book, it’s also easy to feel worried for him. Sutter is neither hero nor villain, because he rides the line between them. The end of the book is frustrating, but I thought it ended the most likely way it could have. And realism is what the movie is currently being praised for. Everything from the script, to the actors’ performances, to the quality of their adolescent skin is beautifully and shockingly real. Slight changes were made to the end of the story, which might placate those who were angered by the book. Not only does the movie allude to a more satisfying end, it also shows the definite beginning of Sutter’s self-improvement.
While this novel lots of mature content, it’s a great exploration of an everyday, middle-class, non-future-dystopian-society teen, with problems that are relevant to every teen of that description. I recognized every character as someone I myself went to high school with, and I think there’s something special about that. Like The Catcher in the Rye, I believe The Spectacular Now has the sort of timeless quality of a novel that will still be pertinent fifty years from now.